One Mission. Two Months. 12+ Paintings. Hundreds of new friends (with 2, 4, and 8+ legs). Thousands to thank.
Self-directed residencies are like cooking classes (stay with me) – they have a habit of leaving you exhausted, proud, and wanting to do more without always appreciating the work that everyone around you put in to make it possible. Thank you to the organizations, businesses, friends, family and broader Pittsburgh community for making it possible for me.
For those playing a bit of catch up, my summer artist residency project was fairly simple: 1. Suffocate myself with birds, bugs, and botany, and 2. translate it each day into a pattern, print, or fine art work . I’m happy to report that both objectives were successfully met, plus loads of additional perks. Here are a few highlights:
1. Meeting scientists – Spending my days with ornithologists and entomologists selecting behind-the-scenes bird and insect specimens made for a huge boost in my creative output. Hearing these experts talk about their work and studying their collections flooded my brain with ideas for the paintings that lay ahead. And as word spread about my project, other scientists introduced themselves, which led to opportunities such as touring the amphibian and reptile collections at Carnegie Museum of Natural History. Who knows, exotic frogs and reptiles might soon make an appearance in my work.A tray of Red-legged Honey Creeper specimens at Carnegie Museum of Natural History. Carnegie Museum of Natural History entomologist John Rawlins poses with a Brahmin Moth. He jokingly calls this his “mad scientist” face.
2. Lunching in good company – I didn’t think there would be such a response to the open invitation for people to come join me for lunch wherever I was painting on a given day. Yet, nearly everyday in July and August an artist, interior designer, retail shop owner, scientist, or just about anyone you can imagine accompanied me for my afternoon break to learn more about the residency.I made all of my lunch dates pose for an obligatory photo, including these two – illustrators Molly Thompson and Gregg Valley.
3. Painting from floral arrangements made specifically for my artwork – Stephanie Kirby of Blue Daisy Floral Designs hosted me at her beautiful shop to paint her signature arrangements. She took my paintings-in-progress-patterns when I arrived and used them as the basis to create custom arrangements. It was such a fun collaboration! Another perk was installing enlarged prints of my artwork in Stephanie’s bridal consult room – check them out if you are in the area.Stephanie Kirby’s floral handiwork and my painting of her bouquet. The painting is a work in progress. Painting from fresh floral arrangements after installing my work in Stephanie’s bridal consult room.
4. Makin’ the news – Fortunately, this project garnered some media attention. I was interviewed on CBS’s Pittsburgh Today Live, and Alexandra Oliver wrote an article about my work for Pittsburgh Articulate.On the set of Pittsburgh Today Live with host Brenda Waters.
5. Befriending budding artists and scientists – One thing I didn’t see coming was the fact that my residency schedule overlapped with peak summer camp season. Between the hours of 10am and 2pm-ish, I was regularly surrounded by swarms of curious elementary students. Questions flowed like the juice boxes, but the sticky fingers were worth it because of the many endearing conversations I had similar to this synopsis of a chat with six year old Nora – Her: What are you doing? Me: Painting a moth. Her: That’s really good. Me: Thank you! Her: [long thoughtful pause] Do you want to be friends? Me: Of course!
6. Getting better at what I do. On my last day at Carnegie Museum of Natural History, I decided to be a glutton for punishment and paint a Brahmin Moth. After an entire day of painting nothing but this single mind-numbingly detailed specimen, I sat back, looked at the fruits of my labor and thought, “I think it’s fair to say I’ve become a better painter.” Practice makes perfect.A real Brahmin Moth specimen and my own painted version of it. The painting is a work in progress.
What’s next? There’s talk of a show of all of the finished paintings – stay tuned for details. In the meanwhile, mark these bigger events on your calendar where you can buy prints of my residency paintings, as well as scarves, pillows and other products printed with these works: