Maybe you’ve seen my elusive Instagram or Facebook posts about my “top secret” summer project of 2015. If the suspense is killing you, don’t fret because this blog post is the grand project announcement.  The secret is that I’m partnering with Carnegie Museum of Natural History, the National Aviary, Phipps Conservatory and Botanical Gardens, and four Pittsburgh florists to undertake a self-directed artist residency during all of July and August. In plain English, that means I’ll be on-site for those two months at these seven organizations feverishly creating new paintings from their respective specimens, exhibits and floral arrangements.

Why? Well, it’s twofold. Firstly, because I have a young child, I’m not a fit for most formal residency programs where an artist packs up to spend weeks or months of uninterrupted time producing new work at a purpose-specific facility (it turns out, people don’t like toddlers throwing tantrums nearby while they’re making art). Secondly, because I find painting my paintings and selling my paintings to be two full-time jobs, I need to find a ways to get myself in front of new audiences while not compromising on my production time. So, this residency is my solution to staying close to home while creating new work while also meeting new people equally interested in birds, bugs and botany.

I’ve spent six months planning the unique residency in coordination with over a dozen individuals at the seven institutions and businesses. After many emails, phone calls and meetings, we’ve ironed out a schedule for the public to watch me work. I’ll spend one day per week in my studio getting the paintings to the stage where I’m ready to paint the objects in the foreground (birds, insects and plants). On the following three days, I’ll work from live and taxidermied specimens of birds, insects and plants at the participating venues (admission fees apply at the three institutions). On top of the regular painting sessions, social events are scheduled at two florists for you to sip cocktails while enjoying the art and my fragrant floral subjects.

Like all things I plan, this schedule will likely change. So, get the latest updates on my whereabouts from day-to-day on social media (I’m on Instagram, Twitter, and Facebook), or email me (ashley(at)ashleycecil.com). I’ll also be using the hashtags #ashleycecil, #byobirds, #byobugs and #byobotany. Hmmm, this sort of feels like a spinoff of “Where’s Waldo” in the making.

Week 1
Wed, July 1 – National Aviary
Thurs, July 2 – Phipps

Week 2
Mon, July 6 – Studio
Tues, July 7 – CMNH (insects)

Week 3
Mon, July 13 – Studio
Tues, July 14 – CMNH (insects)
Wed, July 15 – National Aviary
Thurs, July 16 – Blue Daisy Floral: Painting followed by a happy hour from 5:30 – 7:30 PM. RSVP required.

Week 4
Mon, July 20 – Studio
Tues, July 21 – CMNH (insects)
Wed, July 22 – CMNH (birds)
Thurs, July 23 – Phipps

Week 5
Mon, July 27 – Studio
Tues, July 28 – CMNH (insects)
Wed, July 29 – National Aviary

Week 6
Mon, Aug 3 – Studio
Tues, Aug 4 – CMNH (insects)
Wed, Aug 5 – National Aviary
Thurs, Aug 6 – Phipps

Week 7
Wed, Aug 12 – CMNH (birds)
Thurs, Aug 13 – Cuttings Flower & Garden Market: Painting and open house with drinks and refreshments from 2- 6 PM. Event details are here.

Week 8
Mon, Aug 17 – Studio
Tues, Aug 18 – CMNH (insects)
Wed, Aug 19 – CMNH (birds)
Thurs, Aug 20 – Phipps

Week 9
Mon, Aug 24 – Studio
Tues, Aug 25 – CMNH (insects)
Wed, Aug 26 – National Aviary
Thurs, Aug 27 – 4121 Main

Come solo, bring a friend, bring your kids – all are welcome. And, since I do have to eat everyday, I would also love to get lunch with you at CMNH, Phipps or the Aviary. Let’s make a date!

I’m back in the dating pool. Well, sort of. Let me back up…

If you follow me on the social intertubes, you’ve probably seen my posts about a series of workshops I’ve been teaching at Pittsburgh’s Assemble. The nonprofit “connects artists, technologists, and makers with curious adults and kids of all ages” through STEAM based programming (science, technology, engineering, art, and math).

The workshops I’m involved with have been specifically for middle school girls participating in the Girl’s Maker Night program. I’ve been guiding them through the process of taking their own artwork inspired by natural sciences and translating it into a repeatable pattern for surface design – ultimately using their pattern to create a silkscreened public art installation for this incredible space. Pretty fantastic, right?

Back to the part of this story about the date – As a result of facilitating the workshops, I was asked by Assemble’s executive director to participate in their annual fundraiser (this Saturday) as one of nine makers donating an experience to share our creative process with winning live auction bidders. The experience (as well as the fundraiser) is called a “maker date.”

What will my date entail you ask? We’ll take a behind-the-scenes tour of the ornithology and entomology collections at the Carnegie Museum of Natural History. Then we’ll head to my studio for a one-on-one pattern design tutorial (both digital and analog). Who knows, I might even have the resulting pattern printed on fabric for a pillow or tea towel. Oh yes, the pattern-making pressure it on!

The important part is that the funds raised by MakerDate support Assemble’s STEAM in-house programming, making them accessible for everyone. Their school year programs are FREE and their summer camp is FREE for kids who live in Garfield.

So, basically what I’m saying it that you should be there. You could be my date!

Click here for MakerDate tickets
Saturday, May 16th
6:30 PM to 11:00 PM
Teamsters Temple
4701 Butler Street
Pittsburgh, PA 15201

My experience at last year’s Kentucky Derby set a very high standard for subsequent Derby celebrations. So when I endeavored host a 2015 party 400 miles from Louisville, Kentucky, I knew I had to pull out all the stops.

As luck would have it, my friend Regina Koetters both owns my favorite Pittsburgh brunch spot, Marty’s Market, and is also a former Louisvillian. Regina and I love to geek out on all things Derby, which over time blossomed into the idea to co-host a Derby party – I would create a new equine artwork to unveil, and Regina would prepare the southern-inspired food. That of course left one critically important element unresolved – who would provide the booze, and more specifically, the mint juleps. The solution was literally a stone’s throw away at Wigle Whiskey. Not only did Wigle craft a mint julep with their spirits, they hosted the full blown southern soiree for over 120 guests at their barrel house on Pittsburgh’s Northside.

Wait, it gets better. One of the highlights for me was collaborating with Pittsburgh milliner Gina Mazzotta on my hat. I gave Gina (pictured above on the left) a yard of my own custom fabric and she worked her magic. The result was a fantastic creation of bold and very vertical awesomeness. My head had never felt so special.

I was pleasantly surprised at how well “Derby attire” translated this far from Kentucky. As illustrated by my friend Jeff’s outfit above, people dressed to impress with full-on seersucker suits, bow-ties, and hats so large air kisses prevailed over hugs to prevent headgear entanglement. Indeed, the competition was stiff for our best-dressed award, which was judged by Kiya Tomlin of Uptown Sweats.

A great perk of throwing such a fashion-forward party was piquing media interest. JoAnne Harrop of the Trib Review wrote a lovely article about our event detailing the many collaborations among local women entrepreneurs and even a fascinating snippet about the origins of whiskey actually being in Pennsylvania. Although not fashion related, Wigle also got a TV spotlight on KDKA’s Pittsburgh Today Live to share the secrets to making a mint julep like a boss.

Ok, one more shot a super impressive hat – this one above was worn by Kate Stoltzfus of Propelle (a network of women entrepreneurs in Pittsburgh). Kate’s hat was the handiwork of Thommy Conroy of 4121 Main. Stunning, right?

And last but not least, I finished possibly my best painting yet for this party, titled “See Hue Later.” The original is a 24″x36″ acrylic and oil painting on board. Painstaking detail is apparently becoming my thing, which was no exception with this piece. I guess all of those grade school report cards stating something along the lines of, “draws horses during algebra” paid off. For the horse and/or Derby enthusiasts, I made an 18″x24″ limited print edition of this painting, which is available here.

And just like that, another Derby has passed. I’m already onto the next several events, including a special Mother’s Day edition of Pittsburgh’s Neighborhood Flea on Sunday, where I’ll be selling my artwork and textile products at Wigle Whiskey. Come say hello and tell me your thoughts on my Derby hat!

 

 

I won’t be going home to Kentucky for Derby this year, so I’m bringing the party to Pittsburgh. On May 2, I’m co-hosting a Derby soiree with Marty’s Market and Wigle Whiskey. If you love booze, southern food, live music, gambling, seersucker suits and ridiculously large hats, get your tickets quick because they’ll sell out fast when my co-hosts open the event up to the public next week.

My contribution is of course my artwork – I’ll be unveiling a new painting with an equine twist (sneak peak above of my practice run of painting roses that make the patterned background on the actual canvas). In addition to prints of said painting, I’ll also have new textile products on hand (just in time for Mother’s Day).

There also will be a local milliner, Gina Mazzotta, selling her stunning creations. Actually, I have a meeting this week with the talented Ms. Mazzotta to talk about the hat she’s making for me, which will incorporate my custom-printed fabric into the design. Hopefully the finished product requires ducking under doorways like last year’s hat.

Y’all/yinz don’t want to miss this! Get your tickets here: www.wiglewhiskey.com/derby-party

 

 

I suffer from a condition I call “Maker Syndrome.” Being a member of Pittsburgh’s Techshop worsens the symptoms, which are creative distraction, idea overload and project envy. It takes a great deal of focus to keep myself on task with an already tedious painting process. So, I’m thoughtfully adding new skills to my repertoire that build on what I’m already good at. My latest budding area of expertise is reupholstering furniture.

The first few attempts were on chairs from Craigslist, like this outstanding find. I sanded them, spray painted them and recovered the seats with my custom-printed fabric.

Then, I landed a commission to give the makeover treatment to a client’s family heirloom dinning room chairs. The commission started with the client picking this existing 24″x24″ acrylic, oil and 22k gold painting of Blue Jays, which I then translated into a design conducive for printing on fabric.

In this particular case, the parts of the original image that were intentionally cropped off at the edges of the canvas had to be Photoshop-ed in so the image could be centered on the seat. The gold leaf in the circular design also had to be replaced with a solid color since an image of gold printed on fabric looks, well, fake.

Blistered knuckles, a box of upholstery staples and an entire season of “Orange Is The New Black” later, I had eight of these beauties to return to my client’s dinning room. They’re a match made in heaven with that rug, right?

Digitally manipulating the original painting was not at all easy. Actually, I had to take a six week-long class on Photoshop specific to artists/textile designers to figure it out (well worth it by the way). I emailed the folks who run the workshop on Pattern Observer to show them the fruits of my labor and their excellent teaching skills, and they posted about it on their blog!

It was a lot of fun giving this old painting a new purpose (sans the blistered knuckles part). Do your chairs need a facelift? Or do you need that orange chair above in your living room? Get in touch and let’s talk upholstery.

I had an epiphany – I spend too much time incentivizing people to subscribe to my blog and not enough time thanking the subscribers I have. After all, I had three drawings in 2014 to give away free prints and such to new people who signed up for my updates. But what about you, the peeps who have been following my work all along? Don’t worry, your time has come my friend.

I’m going to use my new year’s resolution to sketch more regularly to show my appreciation. The drawings won’t be in my sketchbook – they’ll go on blank fine art paper postcards and be mailed to you, the folks who read this stuff. Who doesn’t love handmade snail-mail and a “thank you?” Well, if you don’t because you prefer all things digital (I won’t judge), you can get your fix on my Instagram feed (@ashleycecil), or see the inspirational eye candy I’m pinning on Pinterest…

If you are interested, well, you had to be a subscriber. Sorry. The folks who were already on board got a different version of this post in their inboxes with instructions on how to participate (if you subscribe via RSS feed, please shoot me an email at ashley@ashleycecil.com). So, if you want to be in on future fun, stick your email in that box on the right side of my blog homepage. Thanks!

Do you ever have moments of reflection after finishing a behemoth project when you look back and think, “how did I pull that off?” The whole of 2014 made me feel that way. It was packed with learning curves, new commissions, artistic experiments, my first four art festivals/markets, having dinner with my favorite living artist AND meeting the President of the United States. Whew! So, I took a break over Christmas to float in the ocean and eat copious amounts of ackee and saltfish.

While I was away, all of that hard work got a nod from Pop City here in Pittsburgh – they ran a feature article about my work! I tried to keep up with the resulting influx of messages and social media chatter, but apparently T-Mobile’s network doesn’t work too well so close the equator. Nonetheless, I was flattered by the article and thrilled with the congratulatory notes that followed. I came back to my studio rejuvenated and ready to paint.

So, I loaned my newest stuffed feathered friend (and a random single wing) from a local museum and got started on two new pieces.

Here is my subject, a male Royal Northern Flycatcher, drawn on craft paper and cut out with a x-acto knife.

Here he is again being traced onto the painting.

Tada! This is his final portrait, version 1.

And final portrait, version 2.

As usual, the titles are purely functional (helping me to not forget the bird species). Hence, “Royal Northern Flycatcher on Blue 1” and “Royal Northern Flycatcher on Blue 2″ (I’m a painter, not a writer, ok?). Also included are Orb-weaver spiders, an Elephant Hawk-moth and bunches of Sir Matt Busby fuchsia. Each painting is done in acrylic and oil paint on a 12″ x 12” board. Not a bad start for being three weeks into 2015, huh?

Ps – If you’re interested in one or both of the original paintings, please send me an email at ashley@ashleycecil.com. If you’re interested in these paintings as prints or textiles products, be patient! Gosh.

In 15 days, I’ve participated in four holiday markets, growing my number of email subscribers by over 200 (welcome, new folks!), stocked my wares in three new retail stores, and managed online sales. I’ve just dropped off the last of my Christmas orders at the post office and delivered a client’s set of dinning room chairs newly reupholstered with my fabric. Starting tomorrow, I’m taking a hiatus to sleep full time. So, Santa is in charge now. You can direct your last minute gift requests to the North Pole.

My first year being on the vendor’s side of the holiday madness was quite the adventure.

I learned how to condense a 10′ x 10′ exhibit booth worth of stuff into this pile.

I learned how to maneuver that same pile of stuff into a single load in a Honda CRV (I’ve added “magician” to my resume).

Said pile somehow looks like this unpacked.

I got some help from a pretty adorable elf (little does he know he’s recruited to work my booth as soon as his head clears the display table).

There were multiple episodes of the warm fuzzies when new customers sent me photos of my wares on their person or couch.

I also honed my time-management skills – somehow, I squeezed in starting a few new paintings last week. This Royal Northern Flycatcher will be my next subject.

The cherry on top after the chaos was informing Rachel of Monroeville, PA that I randomly drew her name (out of all my new email subscribers from the holiday markets) to receive a free print of my work. She picked “Pin-tailed Manakin on Blue 1“. It suits her well, don’t you think?

And with that my friends, I’m out! I hope Santa is good to you this year.

The interwebs are great for staying connected and all, but nothing beats saying hello in person. So, I hope to see your beautiful face at one or more of these upcoming holiday markets that I will be participating in. And to my blog subscribers, that discount code I sent you last month applies to these events – just mention it when you check out.

These markets are the best place to conquer your holiday shopping list. And I don’t mean to brag, but the Handmade Arcade made the cut for Buzzfeed’s top 35 indie craft fairs worldwide. This is serious crafting, people.

I’ll have giclee prints of my original paintings, pillows, scarves, stationery and phone cases (and possibly some new reupholstered chairs if I can get my act together in time). Between myself and the 80+ artists exhibiting, great finds are guaranteed. So, here are all of the details of each event  – go ahead, put it in your calendar:

 

 

For those that need a copy/paste friendly version:

I Made It! Holiday Market
November 28, 2 – 8 pm
November 29, 11 am – 5 pm
623 Smithfield Street, Downtown Pittsburgh
See more at www.imadeitmarket.com

Handmade Arcade
December 6, 11am – 7pm
David L. Lawrence Convention Center, Downtown Pittsburgh
See more at www.handmadearcade.com

I Made It! Holiday Market –  Last Minute Shopping at the Boyd Community Center
December 13, 10am – 3pm
1220 Powers Run Rd, Pittsburgh, PA 15238
See more at www.imadeitmarket.com

George, the stuffed Passenger Pigeon has gone home to his drawer at the Carnegie Museum of Natural History. It was great getting to know him as he stared at me day after day while I painted his portrait. But, as they say, all good things must come to an end (literally in his case as an extinct species of 100 years). The process of creating this homage was well documented and gives me an opportunity to share how it works. Step one is covering the canvas with a solid color in acrylic paint, followed by a flat pattern. There’s no room for error with anything that’s added from this point forward because the next layer of painting is done in oils – if I did make a mistake, I couldn’t paint over it with the background color because you can’t paint acrylic (water-based) over oil. So I’ve developed a way to eliminate or at least minimize mistakes – before I continue painting, I draw the bird(s) that will go in the foreground of the painting on craft paper exactly posed and sized as I want them on the canvas. Then I carefully cut them out and lightly tape them in place. Now I use a color of oil paint similar to the background to trace the silhouette of the bird so I know exactly where everything goes. And then I paint it in with oils. I usually freehand the foliage and insects because a stray brush stroke of a flower petal is far easier to “fix” than any part of a bird. Sometimes I add a design in gold leaf, but I don’t think this one needs it. So there you have it – a finished “Passenger Pigeon on Mint.” Painting is still only one part of what I do. I’m also a textile designer and seamstress/maker. Just this week, Ben Saks of Float Pictures finished a video documenting my process from start to finish. So I will stop typing and let you watch. Enjoy!

Who do you admire for their work more than anyone? If you’re an architecture buff, maybe it’s Frank Gehry. If you love a good fiction novel, maybe it’s J.K. Rowling. For me, it’s an artist, of course – Kehinde Wiley. A hefty book of his elaborate and exquisite portrait paintings always sits close at hand in my studio to remind me what swinging for the fences looks like.

So, you can imagine how ridiculously excited I was to meet him recently at Ginny’s Super Club in Harlem. I asked my date to hover near me at the bar, camera ready to go, as I approached Kehinde to say hello, give him due praise, and ask for a photo. I realized this must be what it’s like to have a celebrity crush when I had to remind myself not to act like a giddy teenager meeting Justin Timberlake.

For several hours, I had the honor of sitting in the artist’s presence while enjoying a multi-digit course meal created by the culinary mastermind, and friend of Kehinde’s, Chef Marcus Samuelsson. There was a brief Q and A session where Kehinde elegantly answered some tough questions from his dining companions. My favorite was about his process of asking complete strangers on the street if they would model for his paintings. The question went something like, “What was your most uncomfortable moment of inspiration?” His answer:

“I was thrown in jail in the Congo for asking young Congolese people to form a line and assume certain poses from art historical sources. We didn’t know that it was the national election. We didn’t know that there were suspicions surrounding Westerners in the country. I didn’t know also that there’s no way of explaining that you’re in Sub-Saharan Africa to explain a new way of looking at Sub-Saharan Africa. You show the books, you try your best to explain in what broken French you have. But in the end, it was decidedly uncomfortable to spend the better part of a week in prison, especially given that you were slated and scheduled to paint the president of that nation.”

I left the event feeling both inspired and frustrated. The latter plagued me because I was reminded of what’s possible and how far I am from accomplishing it. But a good challenge never hurt anyone.

And so the year of checking things off my bucket list continues…

 

My latest work-in-progress is highly atypical for me – not for any aesthetic reason, but because I loathe pigeons. This bitterness blossomed during my stint in London, where all pedestrians compete with these aggressive and plentiful nuisances for scarce sidewalk space. However, I’m challenging myself to get up close and personal with the urban winged pest in honor of the 100th anniversary of the extinction of a specific variety of the bird, the Passenger Pigeon.

The painting has taken me to the Carnegie Museum of Natural History for visual reference material. Typically, I have access to their extensive ornithology collection. This time, I learned that there are limits when it comes to extinct species. Yet, I lucked out and was allowed to borrow a “crappy” specimen missing a tail and a patch of feathers on the breast. The mangled bird is temporarily sitting on my desk, staring at me as if to say, “it’s a good thing I’m stuffed lady, or I would peck your eyes out.”

Today, I drew the bird on paper at exactly the scale and position I want it on the board, which is already prepped with an intricately painted design. I’ll carefully cut the bird out of the paper and trace its outline onto the board before painting it in. In the end, it will loosely resemble the photo above (plus some variety of orange foliage and Darkling Beetles).

While I’m cohabitating with this creepy bird, it feels appropriate to name it. The very last Passenger Pigeon died on September 1, 1914 at the Cincinnati Zoo. The bird went by Martha, named after Martha Washington, American’s first First Lady. So, I will call my pigeon George, of course.

First, a quick tech notice: I recently changed the method I use to deliver new blog posts to my email subscribers. All of my phalanges are crossed that my technology jinx doesn’t botch it, but if you receive multiple emails, have trouble viewing the email, or anything else less than desirable, please email me (ashley@ashleycecil.com).

Marketing. For me, it’s akin to gardening – if I had all of the time in the world, I would be a pro. However, I always seem to be running on empty when it comes to time. But I get it – if you don’t spread the word about your work, how will anyone know you’re out there doing your thing? So, I do what I can to tell the world, “I’m here (painting)!”

Obviously, I blog, and you read it (and you’re awesome, by the way!). I’m on Etsy, Twitter, Pinterest and LinkedIn. I’m also lucky enough to catch a writer’s attention from time to time, such as Sara Bauknecht, who recently featured me in the Pittsburgh Post Gazette’s Sunday Edition “Stylebook Snapshot.”

And then I convert folks to blog subscribers at events by doing drawings for prints and such for people who provide their email. For example, Ashley Noble, who signed up for my blog updates at this year’s Three Rivers Arts Festival, won this print, which is already framed and hanging in her house (congrats, Ashley!).

Nonetheless, people tell me I should be on Instagram and Facebook (not my personal account), submit my work to art blogs and style magazines, and do handstands outside of my studio (just kidding, no one has ever suggested that). Perhaps it’s time to reevaluate how to keep up my marketing momentum.

So, I’m curious to know, how do you connect with artists or other people doing creative things you love? What should I drop? Be honest now, have you ever bought art via an Instagram discovery, or a magazine feature? I’m counting on your clever insights to hone my shameless self-promotion. You’re a smart cookie when it comes to finding creative and beautiful things, I know it.

 Photo credit @billpeduto

Last weekend, the events coordinator at TechShop Pittsburgh (where I’m a member and textile department regular) called to ask a very unexpected question, “Would you like to be at the TechShop on Tuesday when President Obama is visiting?” Hopefully, I said something more articulate than what I was thinking, which was, “Are you serious? Uh, yeah!” Clearly, I proceeded to jump in place and fist pump the air while remaining on the phone trying to prevent my voice from reflecting my giddiness.

After a thorough vetting by the White House of my upstanding citizen-ness, I was given the go ahead to report to the TechShop on Tuesday to join other TechShop members to meet the most powerful man in the world. We waited (a long time) for his arrival. He eventually appeared, and as he made his way to his stool to speak, he approached a few us (myself included) for a moment of direct eye contact and a strong handshake. Amazing.

Why did I  get to shake his hand you ask? Because I was seated in the first row, in front of Pittsburgh Mayor Bill Peduto, Allegheny County Executive Rich Fitzgerald and Senator Bob Casey. My head was literally obstructing their view, which is how Mayor Peduto got this shot of me asking the President a question. How did I get the photo? Bill Peduto tweeted it, of course. I can’t make this stuff up.

The question I posed to the President was about today’s environment for mothers who are entrepreneurs. In a nutshell, he said it’s difficult for moms, and more broadly for families, to run businesses in the US where the support systems for them is among the worst of all developed countries. However, he’s seeing a shift where employers are acknowledging the need for flexibility for parents, and in turn they get happy employees who give 110%. For entrepreneurs, he basically agreed that it’s a challenge and hopes that people continue to evolve their thinking about professionally penalizing businesswomen with families.

Apparently, this was a hot topic because I was literally yelled at by three news anchors at the end trying to catch my attention to interview me about my own experience being a mother and small business owner. I’m told I was on live TV. Although, unfortunately, the interwebs seem to have caught no trace of such footage.

Yes, I contemplated giving President Obama one of my scarves for Michelle, but  then I thought, 1. He must get enough gifts to fill a football stadium, and 2. multiple Secret Service agents told me repeatedly not to hand him anything. I did as I told by the very intimidating men in suits with earpieces.

And that was my Tuesday.

My work as an artist entails a variety of skills that work in parallel to painting, such as photography and digital photo editing. Now that I’m creating textile products with my paintings, that skill set is broadening even more.  I love a challenge, but paradoxically hate the learning curve of acquiring a new skill because I want to instantaneously be a pro at every new task. This is why mastering turning my original paintings into repeatable patterns for fabric production has been a humbling experience.

Clearly, the internet is at fault for misleading me to believe that making swatches of pattern would be simple. After watching some YouTube videos and reading a few instructional guides, I was convinced it would be a snap. Four weeks later, I had become a hugely unpleasant human with eye spasms from staring at my computer screen, and hardly anything to show for it. Throwing in the towel, I called (possibly cried) for help.

My first phone-a-friend was to Pattern People. By the time I had called them, I actually had made significant progress with one pattern from my “Bugs on Baby Blue” series of four 6″x6″ paintings.

I’ll spare you the technicalities, so suffice it to say the hang up was getting my pattern “key” (sort of like the object of a tessellation) to line up correctly. You can see in this screen shot that I was very close to a clean swatch of pattern, but that tiny bit of misalignment made a blurry mess. I felt somewhat consoled when Claudia from Pattern People emailed me saying “wow, this was a complicated one!” Apparently, I prefer take on the most difficult projects first.

After my Pattern People lesson, my good friend and Photoshop guru Evette Gabriel came over to sit down with me and gently tell me what else I was doing wrong. I mourned the loss of many hours spent on patterns I suddenly realized had to be redone and moved on (deep breath).

Here’s the light at the end of the tunnel – I made a full recovery from this experience and the end result was a simplified version of the pattern utilizing one of the four paintings. Better yet, the fabric has been printed AND sewn into scarves. Yes, scarves. That’s right, now I’m learning how to sew because I figured the only way to overcome my hatred for learning curves is to drown in them. Fortunately, my sewing machine seems to like me infinitely better than Photoshop does.

These scarves are one of many I’ll be posting to a new shop page on my website most likely after the Three Rivers Arts Festival, circa mid-June. Alternatively, you can buy them at the Arts Festival, along with the original artwork. Your patronage will make all of this hard work worth it!