With each day that passes with the new leader at the helm of the United States, I grow more fearful of what lies ahead for my child and for many others. The alarming statements, executive orders, and appointments have cast a wide net that leaves almost no American unaffected. Some days the breadth of challenges seem too immense to tackle. Then, the words of Wendell Berry shake me out of our my stupor:
“It may be that when we no longer know what to do
we have come to our real work,
and that when we no longer know which way to go
we have come to our real journey.
The mind that is not baffled is not employed.
The impeded stream is the one that sings.”
The issue that I’ve been the most absorbed by over the past year is climate change, which is also regrettably out of favor with the new administration. Because the threat of climate change is so pervasive, urgent, and increasingly politicized, it requires support from people of all professions – scientists to philosophers, educators to entrepreneurs, policy makers to painters. It’s personally given me fresh direction and purpose in my work. And now, with my six-month artist residency at a top-five natural history museum completed, I have outcomes to share that demonstrate that artists and scientists belong side-by-side to tell the story of our impact on this planet and to make a call to action.
In my personal experience, scientists’ hard work is often buried in paid subscription publications and are only decipherable to their peers anyway. What a missed opportunity. If the research was easy to access and understand, you might care about integrative taxonomy, bird phenology, and the Anthropecene. It might even change your behavior (to your great benefit). The missed opportunity is what shaped the mission of my artist residency at the Carnegie Museum of Natural History (CMNH), which was to make dense science relatable to a broad audience to pique curiosity about nature and foster environmental stewardship.
During my residency, I spent more than 500 hours digging through thousands of specimens and creating artwork that painted a picture of nature conservation. One of the topics I quickly gravitated toward was bird conservation and the museum’s work at Powdermill Avian Research Center in partnership with BirdSafe Pittsburgh. Together these entities “work to research and reduce bird mortality in the Steel City” (it’s estimated that up to one billion birds die in the US every year from colliding with windows).
I created and exhibited six mixed-media paintings that each captures a local bird species heavily impacted by window collisions (details and prices for these works are available here). Each portrait is framed by a silk-screened design of both Mountain Laurel (PA’s state flower) and the iconic Pennsylvania keystone symbol. Below the paintings are replicas of the museum’s specimen tags – one for each bird of the same species added to the museum’s collection due to a window strike since 2014.
Akin to artworks from the Arts and Crafts movement, my paintings are meant to endear you to nature, to these threatened creatures, and to inspire you to get involved with BirdSafe Pittsburgh’s local citizen scientist program or a national program.
Clearly, producing the original artwork was a big part of my residency, but I was also: 1. Teaching art and science workshops to museum summer camp students;
5. Merging words of some of history’s most inspiring writers and poets with my avian drawings on the glass cases of Bird Hall;
6. Uniting furry mothers with human mothers with a wallpaper of nursing mammals for the museum’s breastfeeding area (this will be installed in time for Mother’s Day 2017);
7. Contemplating how my artwork could be translated into patterns for window films to prevent birds from flying into glass;
8. Hosting visits with people of all industries and backgrounds to show them what comes of an artist being set loose in a natural history museum.
9. And finally, using my work to spread the word about the museum’s research and conservation efforts far and wide – Residency-related artworks and events were featured more than 20 times through online, print, TV, and radio media, including Carnegie Magazine, KDKA’s Pittsburgh Today Live, NextPittsburgh, Pittsburgh Magazine, the Post-Gazette, TechVibe Radio, and TribLive.
This residency was a learning experience beyond my wildest imagination. My greater understanding of science and people’s enthusiasm for conservation and collaboration has solidified this direction in my work for the foreseeable future.
As scientists continue to make the Anthropocene a common concept, and the public gains access to more scientific research (for example, research funded by NASA is now available to all for free), I hope other creatives will be inspired to visualize it through their work. This, of course, will broaden our collective understanding of climate change, but it will also encourage people to connect with science and nature through art. Or better said by Oscar Wilde,
“No better way is there to learn to love Nature than to understand Art. It dignifies every flower of the field. And, the boy who sees the thing of beauty which a bird on the wing becomes when transferred to wood or canvas will probably not throw the customary stone.”